Mohawk singer Shawnee Kish expresses her joy when fans appreciate her song “No Evil,” featured on the popular series “North of North” on APTN, CBC, and Netflix. The upbeat pop rock tune is highlighted in the show’s third episode, focusing on a young Inuk woman named Siaja (Anna Lambe) as she navigates life changes. Kish, a Juno Award nominee, is proud that her music is reaching diverse audiences through a show promoting female empowerment.
The show’s soundtrack, which also showcases Juno nominees PIQSIQ and Snotty Nose Rez Kids, is gaining global recognition. By featuring Indigenous artists, “North of North” is opening doors for underrepresented voices in the industry. The blend of traditional and contemporary music, including covers of popular songs in Inuktitut, is resonating with viewers worldwide.
Stacey Aglok MacDonald, the series co-creator, is amazed by the positive response to the show and its music. She emphasizes the importance of Indigenous representation in mainstream media and the impact it has on cultural revitalization. The eclectic soundtrack curated for the show aims to connect with audiences on a deeper emotional level, transcending language barriers.
Indigenous artists are increasingly being recognized at major music awards like the Junos, with more nominations outside traditional Indigenous categories. This recognition not only celebrates their talent but also elevates Indigenous voices in the music industry. The evolving landscape of Indigenous music reflects a rich cultural heritage that continues to inspire and educate audiences globally.
The significance of Indigenous music extends beyond entertainment, providing a platform for storytelling and cultural dialogue. By honoring Indigenous artists and their contributions, organizations like the Canadian Academy of Recording Arts and Sciences are fostering a more inclusive music industry. Indigenous musicians like Shawnee Kish are using their platform to empower future generations and amplify Indigenous voices in the music world.

