In Quebec City, Geneviève Gros-Louis, a violinist and composer from the Huron-Wendat Nation of Wendake, rehearses her original piece “Thunder Medicine” in an event space, finding solace and inspiration in her ancestral roots. Gros-Louis, who initially pursued a career playing with orchestras post her violin studies at McGill University, turned to composing during the pandemic-induced show cancellations, leading her to international recognition.
Her recent achievements include performances at Paris Fashion Week, composing for National Geographic, and a special invitation to present her original score at the Cannes Film Festival before the premiere of Martin Scorsese’s film “Killers of the Flower Moon.” Embracing her heritage, Gros-Louis integrates traditional social songs from her childhood into her upcoming projects, aiming to make them more accessible to future generations.
Collaborating with community members on an upcoming album, Gros-Louis plans to contemporize Wendat social songs, drawing on teachings from a Wendake elder who imparted cultural knowledge and music traditions. Richard Aubé, the artistic director of a recent event in Quebec City featuring Gros-Louis, lauds her creativity and uniqueness in music, emphasizing the cultural depth evident in her work.
Gros-Louis expresses gratitude for the opportunities to showcase her culture on renowned stages, marking a significant milestone in her musical journey. Her future endeavors include recording at Abbey Road Studios in London for a collaboration with the Audio Network, a major milestone for the artist who once crafted a makeshift violin as a child using everyday items.
Reflecting on her musical evolution, Gros-Louis fondly recalls her mother’s support and encouragement, highlighting the pride and joy shared by her family in witnessing her musical accomplishments. From humble beginnings to international acclaim, Gros-Louis’ dedication to weaving her cultural heritage into her music continues to inspire and resonate with audiences worldwide.
